[et_pb_section fb_built=”1″ theme_builder_area=”post_content” _builder_version=”4.27.4″ _module_preset=”default” custom_padding=”0px||0px||true|false” background_color=”#f5f2f0″ hover_enabled=”0″ sticky_enabled=”0″][et_pb_row _builder_version=”4.27.4″ _module_preset=”default” theme_builder_area=”post_content”][et_pb_column _builder_version=”4.27.4″ _module_preset=”default” type=”4_4″ theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” theme_builder_area=”post_content” animation_style=”fade” text_font_size_last_edited=”on|desktop” text_font_size=”1em” hover_enabled=”0″ sticky_enabled=”0″ text_font_size_tablet=”1em” text_font_size_phone=”1em”]<\/p>\n
Say Say Borak<\/strong>, was originally a monthly gathering of artists of diverse disciplines who view an engagement with sound as integral to their artistic praxis. These sessions seek to build a community of artists seeking inspirations to come together to freely exchange ideas and practices.<\/p>\n For our 2022 \u2013 2023 series, Say Say Borak has expanded to include the wider Singaporean public<\/strong> to engage with musical scholarship through an accessible seminar-discussion format held online<\/strong>.<\/p>\n The CSS is pleased to announce that we recently wrapped up our 2nd instalment of Say Say Borak for the 2022 \u2013 2023 series, on the topic of musical temporality and the perception of musical time<\/strong>. This event was hosted by CSS composer and executive committee member NG Yu Hng<\/strong>.<\/p>\n